Live Writing, Live Art

I am working with Bojana Jankovic, in partnership with Steakhouse Live for their annual festival Longer Wetter Faster Better, on a pilot project that focuses on developing models of critical writing about Live Art that are formally daring, critically rigorous, contextually relevant and adaptive to the needs of an ever-changing, shape-shifting field.

The programme consists of the following:

  • Two workshops, exploring relevant histories and practices of criticism in relation to live art, as well as providing a set of provocations, contextual, social and political, emerging from the works presented in LONGER WETTER FASTER BETTER
  • A durational, embedded writing project occurring throughout the festival, where participating writers will be responding to the different works presented, exploring the possibilities of this model within a festival-context. This iteration of the programme will also feature a Writers Hub.
  • Reflective articles following the festival by participating writers, published in Exeunt Magazine
  • A follow-on publication that collates writing, commissions and reflections on both the works presented and the writing project itself, edited by Diana and Bojana.

Participating writers were selected through an open call, focused specifically on emerging writers and those new to the field of live art. As a result, the group includes established artists and students, bringing experience and perspectives of visual arts, theatre, choreography and literature to discussions of Live Art.

You can follow the live critical responses throughout the festival on the dedicated website from Friday 14th October- Sunday 16th October.

www.criticalinterruptions.com

And read more about the festival and the project in this feature on Exeunt Magazine:

Steakhouse: Live Art, Live Writing

 

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